Breath-taking scenery, strong performances and an unexpected message come together in Sturla Gunnarsson's Beowulf & Grendel. Forget the dusty, inaccessible saga that may have been forced upon you in High School or as a College Freshman in English Lit! New life is breathed into Beowulf, the oldest text of recorded English, first set to sheepskin in 1000 A.D. after 500 years of survival through oral tradition. The acclaimed Canadian director of Rare Birds stays true to the bones of what undoubtedly started as a campfire story of a battle between Man and Monster without resorting to CGI or other special effects. Instead, he relies on the talents of an impressive international cast and an intelligent screenplay against the backdrop of a stunningly primal Icelandic landscape upon which no human had set foot in 800 years. You won't need Cliffs Notes to understand this examination of who and what defines 'Other-ness' and how it is treated. The knee-jerk fear factor response is as prevalent today as it was in the early Viking slice-of-life portrayed.
Beowulf & Grendel owes as much to John Gardner's Grendel as it does to the Beowulf epic. The roles of Hero and Monster do not so much embody intrinsic Good and Evil as reflect qualities attributed to their assigned archetypes. How and why we assign those roles is at the heart of the first-ever serious adaptation of the anonymous poem. The movie systematically leads us through a labyrinth of History, Cultures, the psycho-social reaction to Outsiders and the unfortunate results of those actions to the inescapable conclusion that we are not so different from one another. The ensuing Logic would then dictate that War is merely a lazy solution to a problem better addressed by examining our own psyches.
Beowulf is portrayed with astonishing depth by the Scottish actor, Gerard Butler, who is accumulating an impressive array of credits from Attila (the highest-rated U.S. mini-series) to Phantom of the Opera (the lavish 2005 Musical) to Dear Frankie (the award-winning independent Scottish film), to name a few. As always, he throws himself whole-heartedly, thoughtfully, and more important, believably, into the role of Hero, which in less-capable hands might be one-dimensional. Even the screenwriter, Andrew Berzins, was both surprised and impressed by the levels to which Mr. Butler plumbed the character 'all in his facial expressions.' Rising above his mastery of brooding good looks through tangled locks of hair, he manages to have us look through his eyes, rather than at his eyes - no mean feat for someone who is undeniably easy on the eyes! Beowulf emerges as the antithesis of the later Danish Prince, Hamlet, who is so introspective that he is paralyzed into inaction. In contrast, Beowulf willingly accepts the yoke of the traditional Hero and initially and immediately acts without thinking. He recognizes his Destiny in this life and beyond, stating, 'I'll go where I'm sent!' He does not, however, stop there. Delving into the reasons behind his mission, he becomes a relentless, if uneasy, historical detective, needing to unearth the cause of the troll/monster Grendel's savagery.
The Hero's journey, punctuated by pre-destined acts of violence, is one in which we participate and evolve along with Beowulf, with the assistance of the witch, Selma (appropriately ambiguously played by the popular Canadian actress, Sarah Polley). Although she and Beowulf do pair off at one point, theirs is not really a romantic connection. She serves as a sort of conduit between Beowulf and Grendel, leveling the playing field between them.
Grendel is splendidly brought to heartbreaking life by Iceland's biggest Star, Ingvar Sigurdsson. Interestingly, his 4-year-old son makes a very credible acting debut as the young Grendel, orphaned in no uncertain terms at the start of the movie and laying the foundation for the carnage to come. Harking more to Gardner's Grendel than the unremittingly bloodthirsty troll of the original poem, Mr. Sigurdsson manages to express both the innocence and tragedy of Grendel with gusto, exploring his un-human characteristics without judgment. It is a tribute to his talent that rather than being horrified by a scene in which we see Grendel bowling with victims' severed heads, we identify with the spirit of pure Joy breaking through a monster's lonely existence.
Providing a context for the Hero/Monster mythos is a superb cast of supporting characters. Stellan Skarsgard is the alcoholic Danish king Hrothgar, not only unwilling to accept responsibility for the scourge of Grendel, but not even wanting to consider 'why a f***ing troll does what a f***ing troll does.' Eddie Marsden plays the foaming-at-the-mouth crazed Irish Catholic priest, Brendan, heralding the advent of Christianity and the desire of a people to unburden themselves of any and all accountability for their actions. And Ronan Vibert embodies the equivalent of modern day mass media as the Bard, Thorkel, through whom the saga is transformed (over Beowulf's objections) into a revisionist history which does not bear close examination. As Martin Delaney notes as the young warrior, Thorfinn, what we are left with are 'tales of sh*t.' The old Beowulf is not gone. The tone of the original oral tradition is maintained by Berzins' strict adherence to Anglo-Saxon and Norse root words and an ongoing thread of bawdy humor against a relentless musical score rife with tribal drums. The comic relief serves, as in Shakespeare's tragedies, to lighten and make palatable the raw impact of some harsh realities revealed. But a new Beowulf & Grendel rises from the ashes. This blood and guts epic, with its undeniably spiritual undercurrent, balances swordplay with word play, and the audience is left to draw their own conclusions in the bloody aftermath. The tag line, 'Heads will roll!' refers not only to the blood-soaked battle scenes, but to the thought processes set in motion that will leave you re-evaluating concepts of and motives behind Love, Loyalty, and War long after you leave the theater.
Dec 3, 2008 - Whole book (zip file): Download; Subscribe by iTunes: iTunes; RSS Feed: RSS; Download torrent: Torrent. Download cover art Download CD case insert. The brave warrior, Beowulf, comes to the aid of King Hrothgar when he. Beowulf heroically battles Grendel, the Water Witch, and a fierce dragon. The Old English text of the poem is based on Beowulf, with the. Finnesburg Fragment. A dragon, which both parallels Beowulf's triumph over Grendel horn, through. And taken refuge beneath torrents on the mountain. It was a hard blow.
Heremod (Proto-Norse: *Harimōdaz[1], Latin form: Heremodius) is a legendary Danish king and a legendary king of the Angles who would have lived in the 2nd century and known through a short account of his exile in the Old English poem Beowulf and from appearances in some genealogies as the father of Scyld. He may be the same as one of the personages named Hermóðr in Old Norse sources. Heremod may also be identical to Lother (LatinLotherus) in Saxo Grammaticus' Gesta Danorum (Book 1) or the same history may have been applied to two originally separate figures.
Download Beowulf and Grendel (2005) torrent or any other torrent from Video > Movies Direct download via magnet link. Beowulf & Grendel (2005) yify torrent movies synopsis: The blood-soaked tale of a Norse warrior's battle against the great and murderous troll, Grendel. Out of allegiance to the King Hrothgar, the much respected Lord of the Danes, Beowulf leads a troop of warriors across the sea to rid a village of the marauding monster.
From Beowulf[edit]
In Beowulf, after Beowulf has defeated Grendel, a bard sings the deeds of Sigmund:
He had of all heroes the highest renown
among races of men, this refuge-of-warriors,
for deeds of daring that decked his name
since the hand and heart of Heremod
grew slack in battle. He, swiftly banished
to join with Jutes at mercy of foes,
to death was betrayed; for torrents of sorrow
had lamed him too long; a load of care
to earls and athelings all he proved.
Oft indeed, in earlier days,
for the warrior's wayfaring wise men mourned,
who had hoped of him help from harm and bale,
and had thought their sovran's son would thrive,
follow his father, his folk protect,
the hoard and the stronghold, heroes' land,
home of Scyldings (Denmark).
It appears that Heremod was banished by his subjects and fled to the Jutes where he was betrayed to his death.After Beowulf has slain Grendel's dam, King Hrothgar speaks again of Heremod:
Was not Heremod thus
to offspring of Ecgwela, Honor-Scyldings,
nor grew for their grace, but for grisly slaughter,
for doom of death to the Danishmen.
He slew, wrath-swollen, his shoulder-comrades,
companions at board! So he passed alone,
chieftain haughty, from human cheer.
Though him the Maker with might endowed,
delights of power, and uplifted high
above all men, yet blood-fierce his mind,
his breast-hoard, grew, no bracelets gave he
to Danes as was due; he endured all joyless
strain of struggle and stress of woe,
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long feud with his folk.
In genealogies[edit]
In genealogies Heremod appears as son of Itermon son of Hratha son of Hwala or Gwala. Heremod is also the father of Scyld in most of these genealogies. See Sceafa for a fuller treatment.
- Note: Sceafa is not Scyld, but is Seskef/Cespeth/Scef. Scelda/Skjöld/Scyld is a descendent of Sceafa, as noted all lineages referenced on the Sceafa wiki.
The Beowulf poet may have followed the same tradition, knowing a tale in which in the driving out of Heremod, Heremod's young son and heir Scyld somehow ended up placed in a ship which was set adrift.
From Annales Ryenses and Gesta Danorum[edit]
In the Annales Ryenses and Saxo Grammaticus' Gesta Danorum (Book 1) Skjöld, that is Scyld, is preceded by a king named Lother, not one name Heremod. But what we are told of Lother fits closely with what the Beowulf poet says of Heremod. Saxo relates that King Dan left two sons behind, Humbli and Lother. Then:
Humbli was elected king at his father's death, thus winning a novel favour from his country; but by the malice of ensuing fate he fell from a king into a common man. For he was taken by Lother in war, and bought his life by yielding up his crown; such, in truth, were the only terms of escape offered him in his defeat. Forced, therefore, by the injustice of a brother to lay down his sovereignty, he furnished the lesson to mankind, that there is less safety, though more pomp, in the palace than in the cottage. Also, he bore his wrong so meekly that he seemed to rejoice at his loss of title as though it were a blessing; and I think he had a shrewd sense of the quality of a king's estate. But Lother played the king as insupportably as he had played the soldier, inaugurating his reign straightway with arrogance and crime; for he counted it uprightness to strip all the most eminent of life or goods, and to clear his country of its loyal citizens, thinking all his equals in birth his rivals for the crown. He was soon chastised for his wickedness; for he met his end in an insurrection of his country; which had once bestowed on him his kingdom, and now bereft him of his life.
Saxo then turns to Lother's son Skjöld.
That Lother seems in this account to have been killed immediately may be compression of a longer narrative. J. R. R. Tolkien in his Finn and Hengest (p. 58) provides a variant version found in the Scondia Illustrata by Johannes Messenius (Stockholm, 1700) which likely relies on lost sources rather than on Messenius' poor memory. Tolkien translates from Messenius' Latin:
... therefore Lotherus, King of the Danes, bereft of his wealth because of his excessive tyranny, and defeated, fled into Jutia.
From Tolkien[edit]
Beowulf Grendel Mother
Beowulf And Grendel Story
Tolkien points out that Beowulf was unknown at the time and so could not have influenced Messenius to imagine Lotherus fleeing to Jutland. The story then becomes quite strange. The king placed on the Danish throne in place of Lotherus is Baldr. Lotherus returns from exile, kills Baldr and then is himself killed by Odin. It looks as though Lother has been confused with Höðr.
Lother might also be identical with the puzzling god Lóðurr. Commentators sometimes suggest Lóðurr is identical to Loki, and of course in the Icelandic texts that have come down to us it is Loki who is Baldr's real slayer, with Höðr/Hother being only a tool in Loki's plot.
References[edit]
Beowulf And Grendel Summary
Preceded by Itermon | Scyldings | Succeeded by Scyld |
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