Kaakha Kaakha | |
---|---|
Directed by | Gautham Vasudev Menon |
Produced by | Kalaipuli S. Thanu |
Written by | Gautham Vasudev Menon Morgan Anthony(Additional Dialogues) |
Starring | Suriya Jyothika Jeevan Daniel Balaji Devadarshini |
Narrated by | Suriya |
Music by | Harris Jayaraj |
Cinematography | R. D. Rajasekhar |
Edited by | Anthony |
Production company | |
Release date | 1 August 2003 |
153 minutes | |
Country | India |
Language | Tamil |
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Kaakha Kaakha (To Protect) is a 2003 Indian Tamilaction thriller film written and directed by Gautham Menon. It stars Suriya, Jyothika and Jeevan. The film featured music composed by Harris Jayaraj and cinematography by R. D. Rajasekhar. The film released to highly positive reviews in August 2003 and went on to become the first biggest blockbuster in Suriya's career, and was considered a comeback film for producer Kalaipuli S. Thanu.[1] Owing to the success, the film has been remade in several languages.
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This movie starts with Anbuselvan (Suriya) getting thrown out of a house and falling into a stream of water. He is badly injured and lying on the bank of a stream, thinking about his wife Maya (Jyothika) and how he needs to rescue her. The story moves quickly from this opening scene to a flashback of Anbuselvan's time as a young policeman.
Anbuselvan was an honest, daring IPS officer with the Chennai police as the ACP in the Crime Branch. As he has no relations in life, he lived with no fear. Anbuselvan and his friends Shrikanth (Daniel Balaji), Arul (Vivek Anand), and Ilamaran (Rajan) have been recruited for part of a special unit of police officers who are battling organized crime in Chennai. Violent and laconic, Anbuselvan finds little patience for a personal life. The unit is ruthless in its confrontation with criminals, going as far as assassinating gang members; the unit is finally disbanded by human rights authorities; Anbuselvan is posted to Control Room Duties.
One day a school teacher named Maya rebuffs Anbuselvan's routine questions regarding safety, not knowing that he is a police officer. He meets her again when she and her friend are questioned for driving without a license. However, Anbuselvan lets them off with a warning. When one of Maya's students has a problem with local kids, she asks Anbuselvan for help. Anbuselvan resolves this problem, a mutual respect grows between them, and they begin seeing one another. When Maya gets into a road accident, Anbuselvan helps her recover, and they fall in love. Shrikanth and his wife Swathi (Devadarshini) become good friends with Maya.
In response to rising levels of crime in the city, when the son of an influential movie producer is kidnapped and killed, the special unit is reassembled by commissioner with all four back in the crime branch. The unit tracks down and kills the head of the gang that was responsible. The brother of the gang leader, Pandiya (Jeevan), returns from Mumbai and takes over the gang, promising revenge over his brother's death. Pandiya and his gang members target the families of the men in the special unit, but the police close in, and a badly injured Pandiya barely escapes Anbuselvan.
Maya and Anbuselvan get married and leave for Pondicherry, but the next day, Pandiya and his thugs enter the cottage that the honeymoon couple are staying in and attack Anbuselvan, leaving him for dead, and kidnapping Maya. This brings the viewer back to the opening scene of the movie in which Anbuselvan is battling for life but thinking only about rescuing Maya.
Shrikanth and Arul arrive at the cottage, discover Anbuselvan, and take him to the Pondicherry Government Hospital. Shrikanth reveals that Swathi was kidnapped earlier and confesses that it was he who gave away Anbuselvan's location to Pandiya, for Swathi's safe return. Shrikanth feels extreme remorse over what has happened. Whilst in the hospital, they receive a message from Pandiya to meet him at a particular location. When they go there, they find a package containing Swathi's head. Shrikanth is distraught at seeing his wife's head, and in an agony of grief and guilt at being responsible, he commits suicide by shooting himself. Anbuselvan tracks down Pandiya before he can escape from Tamil Nadu and fights with the gang. Pandiya stabs Maya to distract Anbuselvan, and she dies. An enraged Anbuselvan tracks down Pandiya and brutally finishes him off.
An epilogue shows that Anbuselvan, after the death of Maya, continued his job as an IPS officer some weeks later. An alternative ending was shot and placed in the DVD version with a running commentary by Gautham Menon, in which Maya comes alive and he explains why this ending was not used in the version for cinema release.
The film was initially titled as Paathi (Half) and then as Kalam, before the team opted to change the title to Kaakha Kaakha.[2] Menon revealed that he was inspired to make the film after reading of articles on how encounter specialists shoot gangsters and how their families get threatening calls in return, and initially approached Ajith Kumar for the role without success.[3][4] The lead actress Jyothika asked Menon to consider Suriya for the role, and he was subsequently selected after Menon saw his portrayal in Nandha.[5] He did a rehearsal of the script with the actors, a costume trial with Jyothika and then enrolled Suriya in a commando training school before beginning production, which he described as a 'very planned shoot'.[5]
The film consequently opened to high positive reviews from critics on the way to becoming another success for Menon, with critics labeling it as a 'career high film'.[6] Furthermore, the film was described as for 'action lovers who believe in logical storylines and deft treatment' with Menon being praised for his linear narrative screenplay.[7][8]
Gautham Menon subsequently remade the film in Telugu for producer Venkata Raju and went on to claim that the new version was better than the previous version.[9][10] In Gharshana (2004), Venkatesh portrayed Suriya's role while Asin portrayed Jyothika's role. In July 2004, Menon also agreed terms to direct and produce another version of Kaakha Kaakha in Hindi with Sunny Deol in the lead role and revealed that the script was written five years ago with Deol in mind, but the film eventually failed to take off.[11] Producer Vipul Shah approached him to direct the Hindi version of the film in 2010 as Force with John Abraham and Genelia D'Souza, and Menon initially agreed before pulling out again.[12] The film was also made in Kannada in 2011 as Dandam Dashagunam with Chiranjeevi Sarja and Divya Spandana in the title roles. Menon and the original producer, Dhanu, also floated an idea of an English version with a Chechnyan backdrop, though talks with a potential collaboration with Ashok Amritraj collapsed.[5] The storyline of the movie was used in the Oriya movie ACP Ranveer.[13]
Kaakha Kaakha (Tamil) | Gharshana (Telugu) | Force (Hindi) | Dandam Dashagunam (Kannada) | ACP Ranveer (Odia) |
Surya | Venkatesh | John Abraham | Chiranjeevi Sarja | Anubhav Mohanty |
Jyothika | Asin | Genelia | Ramya | |
Jeevan | Salim Baig | Vidyut Jamwal | P. Ravi Shankar |
In addition to the following list of awards and nominations, prominent Indian film websites named Kaakha Kaakha one of the 10 best Tamil films of 2003, with Rediff, Sify and Behindwoods all doing so. The film was, before release, in 'most awaited' lists from film websites.
Award | Category | Nominee | Result |
---|---|---|---|
2003 Filmfare Awards South | Best Actor | Suriya | Nominated |
Best Actress | Jyothika | Nominated | |
Best Villain | Jeevan | Won | |
Best Director | Gautham Menon | Nominated | |
Best Film | Kalaipuli S. Dhanu | Nominated | |
Best Choreography | Brindha (Thoodu Varuma & Uyirin Uyire) | Won | |
Best Music Director | Harris Jayaraj | Won | |
Best Cinematographer | R. D. Rajasekhar | Won | |
Best Editor Award | Anthony | Won | |
2003 Tamil Nadu State Film Awards | Best Music Director | Harris Jayaraj | Won |
Best Editor | Anthony | Won | |
ITFA Awards | Best Actor | Suriya | Won |
ITFA Awards | Best Actress - Special Jury | Jyothika | Won |
ITFA Awards | Best Music Director | Harris Jayaraj | Won |
The film's music was composed by Harris Jayaraj, who reunited with Menon after the successful soundtrack of Minnale.Upon release,the soundtrack received acclaim from critics and became the most commercially successful soundtrack of 2003. Due to its popularity, Harris Jayaraj earned his second Filmfare Award for Best Music Director and his first Tamil Nadu State Film Award for Best Music Director and ITFA Award for Best Music Director. The song 'Ondra Renda' is the Tamil remake version of the song 'Dil Ko Tumse Pyar Hua' from the 2001 Hindi film Rehnaa Hai Terre Dil Mein in which Harris himself was the music director.
Kaakha Kaakha | ||||
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Soundtrack album by | ||||
Released | 2003 | |||
Recorded | 2003 | |||
Genre | Feature film soundtrack | |||
Length | 25:48 | |||
Label | New Music Classic Audio | |||
Producer | Harris Jayaraj | |||
Harris Jayaraj chronology | ||||
|
All tracks written by Thamarai.
Track-List | |||
---|---|---|---|
No. | Title | Singer(s) | Length |
1. | 'Ennai Konjam' | Timmy, Tippu, Pop Shalini | 4:57 |
2. | 'Ondra Renda' | Bombay Jayashri | 5:07 |
3. | 'Oru Ooril' | Karthik | 4:50 |
4. | 'Thoodhu Varuma' | Sunitha Sarathy | 4:42 |
5. | 'Uyirin Uyirae' | KK, Suchitra | 5:22 |
Total length: | 25:48 |
The strategy employed by NSA whistleblower Edward Snowden to discourage a CIA hit job has been likened to a tactic employed by the U.S. and Russian governments during the Cold War.
Snowden, a former systems administrator for the National Security Agency in Hawaii, took thousands of documents from the agency's networks before fleeing to Hong Kong in late May, where he passed them to Guardian columnist Glenn Greenwald and documentary filmmaker Laura Poitras. The journalists have handled them with great caution. A story in the German publication Der Spiegal, co-bylined by Poitras, claims the documents include information 'that could endanger the lives of NSA workers,' and an Associated Press interview with Greenwald this last weekend asserts that they include blueprints for the NSA's surveillance systems that 'would allow somebody who read them to know exactly how the NSA does what it does, which would in turn allow them to evade that surveillance or replicate it.'
But Snowden also reportedly passed encrypted copies of his cache to a number of third parties who have a non-journalistic mission: If Snowden should suffer a mysterious, fatal accident, these parties will find themselves in possession of the decryption key, and they can publish the documents to the world.
'The U.S. government should be on its knees every day begging that nothing happen to Snowden,' Greenwald said in a recent interview with the Argentinean paper La Nacion, that was highlighted in a much-circulated Reuters story, 'because if something does happen to him, all the information will be revealed and it could be its worst nightmare.'
It's not clear if Snowden passed all of the documents to these third parties or just some of them, since Greenwald says Snowden made it clear that he doesn't want the NSA blueprints published.
Either way, Snowden's strategy has been described jocularly in the press as a 'dead man's switch' – a tactic popularized in movies and thrillers whereby a bomber or criminal mastermind has a detonator wired to a bomb and the only thing keeping it from exploding is his finger on the detonator button. If police shoot him, he releases the button and the bomb goes off.
But Snowden's case is actually a kind of reverse dead man's switch, says John Prados, senior research fellow for the National Security Archive and author of several books on secret wars of the CIA.
'As an information strategy, what Snowden is doing is similar to that, but it doesn't have the same kind of implication,' Prados says. 'We're not setting off a bomb or having some other kind of weapon-of-mass-destruction go off.'
In the popular scenarios, the person has control over the event, and the weapon or deadly force is liberated or detonated only if that person is neutralized in some way and control is taken away from him. But the element of control is much different in Snowden's case.
'In the dead man switch, my positive control is necessary in order to prevent the eventuality [of an explosion],' Prados said. 'In Snowden's information strategy, he distributed sets of the information in such a fashion that if he is taken, then other people will move to release information. In other words, his positive control of the system is not required to make the eventuality happen. In fact, it's his negative control that applies.
'The operation of the system is reversed. He's not calling up someone every 25 hours saying I'm still free, don't let the stuff out. The stuff is out, and if he isn't free, then they let it out. The dynamic is reversed from the traditional concept of the dead man switch.'
Greenwald told the Associated Press that media descriptions of Snowden's tactic have been over-simplified.
'It's not just a matter of, if he dies, things get released, it's more nuanced than that,' he said. 'It's really just a way to protect himself against extremely rogue behavior on the part of the United States, by which I mean violent actions toward him, designed to end his life, and it's just a way to ensure that nobody feels incentivized to do that.'
The classic application of a dead man's switch in the real world involves nuclear warfare in which one nation tries to deter adversaries from attacking by indicating that if the government command authority is taken out, nuclear forces would launch automatically.
It has long been believed that Russia established such a system for its nuclear forces in the mid-60s. Prados says that under the Eisenhower administration, the U.S. also pre-delegated authority to the North American Aerospace Defense Command (NORAD), the Far East command and the Missile Defense Command to use nuclear weapons if the national command authority were taken out, though the process was not automatic. These authorities would have permission to deploy the weapons, but would have to make critical decisions about whether that was the best strategy at the time.
Snowden's case is not the first time this scenario has been used for information distribution instead of weapons. In 2010, Wikileaks published an encrypted 'insurance file' on its web site in the wake of strong U.S. government statements condemning the group's publication of 77,000 Afghan War documents that had been leaked to it by former Army intelligence analyst Bradley Manning.
The huge file, posted on the Afghan War page at the WikiLeaks site, was 1.4 GB and was encrypted with AES256. The file was also posted on torrent download sites.
It’s not known what the file contains but it was presumed to contain the balance of documents and data that Manning had leaked to the group before he was arrested in 2010 and that still had not been published at the time. This included a different war log cache that contained 500,000 events from the Iraq War between 2004 and 2009, a video showing a deadly 2009 U.S. firefight near the Garani village in Afghanistan that local authorities said killed 100 civilians, most of them children, as well as 260,000 U.S. State Department cables.
WikiLeaks has never disclosed the contents of the insurance file, though most of the outstanding documents from Manning have since been published by the group.